A Large Polyphonic Cycle in the Piano Works of Ukrainian Composers of the Twentieth and Early Twenty-First Centuries: The Issue of Integrity
| dc.coverage | STUDIA UBB MUSICA, 69 (LXIX), No. 2, December 2024, pp. 227-240 | en-US |
| dc.creator | KOKHANYK, Iryna | |
| dc.creator | POSTOVOITOVA, Svitlana | |
| dc.date | 2024-12-11 | |
| dc.date.accessioned | 2026-02-21T20:18:06Z | |
| dc.description | The relevance of this topic is related to the need to comprehend the processes of revival of the genre of the large polyphonic cycle in the musical art of the twentieth and early twenty-first centuries, where it acquires a high conceptual capacity. Its main direction of development, while preserving the compositional framework and semantic invariant of the structure, is defined as individualization through innovation, which finds expression in individual author's concepts of cycles. The research is aimed at studying the specifics of the compositional and dramaturgical integrity of a large polyphonic cycle, maximizing the coverage of the internal processes of its formation at different levels. The concept of a large polyphonic cycle, which is revealed as a compositional and dramatic integrity, is considered on the basis of piano works by Ukrainian composers of the twentieth and early twenty-first centuries (Vsevolod Zaderatsky, Alemdar Karamanov, Valentyn Bibik, Ihor Pyaskovsky, and Boryslav Stronko). | en-US |
| dc.format | application/pdf | |
| dc.identifier | https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8592 | |
| dc.identifier | 10.24193/subbmusica.2024.2.16 | |
| dc.identifier.uri | https://hdl.handle.net/20.500.14637/2119 | |
| dc.language | eng | |
| dc.publisher | Babeș-Bolyai University / Cluj University Press | en-US |
| dc.relation | https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8592/8345 | |
| dc.rights | Copyright (c) 2024 Studia Universitatis Babeș-Bolyai Musica | en-US |
| dc.rights | https://creativecommons.org/licenses/by-nc-nd/4.0 | en-US |
| dc.source | Studia Universitatis Babes-Bolyai Musica; Volume 69, No. 2, December 2024; 227-240 | en-US |
| dc.source | 2065-9628 | |
| dc.source | 1844-4369 | |
| dc.source | 10.24193/subbmusica.2024.2 | |
| dc.subject | concept of a large polyphonic cycle | en-US |
| dc.subject | compositional and dramatic integrity | en-US |
| dc.subject | contemporary Ukrainian instrumental music | en-US |
| dc.subject | composer’s style | en-US |
| dc.title | A Large Polyphonic Cycle in the Piano Works of Ukrainian Composers of the Twentieth and Early Twenty-First Centuries: The Issue of Integrity | en-US |
| dc.type | info:eu-repo/semantics/article | |
| dc.type | info:eu-repo/semantics/publishedVersion | |
| dc.type | Peer-reviewed Article | en-US |
| dc.type | text | en-US |
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