ANALYTICAL ASPECTS IN "MISSA DE BEATA VIRGINE" BY JOSQUIN DES PREZ

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dc.coverageSTUDIA UBB MUSICA, Volume 68 (LXVIII), Special Issue 2, August 2023, pp. 255-274en-US
dc.creatorFÁBIÁN, Apolka
dc.date2023-08-15
dc.date.accessioned2026-02-21T20:17:13Z
dc.descriptionJosquin des Prez has composed at least 20 masses. This article focuses on the presentation and analysis of compositional techniques in Missa de Beata Virgine used by Josquin des Prez. He used different techniques from the XVI. century: paraphrased cantus firmus melody, tropus, imitative and polyphonic techniques. His early style testifies to the influence of Guillaume Dufay and Jan van Ockeghem. Following his Italian experience he mastered the homophonic compositional technique, which strengthened the text-music relationship in his works.en-US
dc.formatapplication/pdf
dc.identifierhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/6322
dc.identifier10.24193/subbmusica.2023.spiss2.16
dc.identifier.urihttps://hdl.handle.net/20.500.14637/2020
dc.languageeng
dc.publisherBabeș-Bolyai University / Cluj University Pressen-US
dc.relationhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/6322/6015
dc.rightsCopyright (c) 2023 Studia Universitatis Babeș-Bolyai Musicaen-US
dc.rightshttps://creativecommons.org/licenses/by-nc-nd/4.0en-US
dc.sourceStudia Universitatis Babes-Bolyai Musica; Volume 68, Special Issue 2, August 2023; 255-274en-US
dc.source2065-9628
dc.source1844-4369
dc.source10.24193/subbmusica.2023.spiss2
dc.subjectRenaissance music, Josquin des Prez, mass, church music, cantus firmusen-US
dc.titleANALYTICAL ASPECTS IN "MISSA DE BEATA VIRGINE" BY JOSQUIN DES PREZen-US
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typePeer-reviewed Articleen-US
dc.typetexten-US

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