ARTISTIC RESEARCH AND THE DOCUMENTATION OF SOCIAL CRISES: POSTHUMANIST APPROACHES TO COLLECTIVE AFFECTIVE STATES IN WARTIME MUSIC
| dc.coverage | STUDIA UBB MUSICA, Volume 70 (LXX), Special Issue 4, December 2025, pp. 189-198, DOI: 10.24193/subbmusica.2025.spiss4.12 | en-US |
| dc.creator | CHIBALASHVILI, Asmati | |
| dc.date | 2025-12-30 | |
| dc.date.accessioned | 2026-02-21T20:21:21Z | |
| dc.description | Traditional research methods often struggle to capture embodied, affective, and relational layers of experience emerging during crises such as war. Arts-based research and artistic research offer practice-led epistemologies aligned with posthumanist praxis. This article examines how artistic research can document and transform collective affective states in crisis, using the author’s composition Wartime Reflections II. Resonances as a case study. A practice-led inquiry integrates the score, composer’s notes, and documentary elements (voice messages, textual fragments). The analysis employs “musical lenses” (form, rhythm, dynamics, timbre, polyphony/harmony) and draws on theories of collective affect (Durkheim), anticipatory grief (Rando), resilience (Masten, Ungar), learned helplessness (Seligman), despair (Freud, Kierkegaard), communitas (Turner), and moral elevation (Haidt). The resulting five-part model—Premonition, Resilience, Exhaustion, Despair, Uplift—shows how music functions not only as representation but as method for structuring and sharing crisis experience. | en-US |
| dc.format | application/pdf | |
| dc.identifier | https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/9925 | |
| dc.identifier | 10.24193/subbmusica.2025.spiss4.12 | |
| dc.identifier.uri | https://hdl.handle.net/20.500.14637/2483 | |
| dc.language | eng | |
| dc.publisher | Babeș-Bolyai University / Cluj University Press | en-US |
| dc.relation | https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/9925/9571 | |
| dc.rights | Copyright (c) 2025 Studia Universitatis Babes-Bolyai Musica | en-US |
| dc.rights | https://creativecommons.org/licenses/by-nc-nd/4.0 | en-US |
| dc.source | Studia Universitatis Babes-Bolyai Musica; Volume 70, Special Issue 4, December 2025; 189-198 | en-US |
| dc.source | 2065-9628 | |
| dc.source | 1844-4369 | |
| dc.source | 10.24193/subbmusica.2025.spiss4 | |
| dc.subject | artistic research | en-US |
| dc.subject | arts-based research | en-US |
| dc.subject | posthumanism | en-US |
| dc.subject | collective affect | en-US |
| dc.subject | resilience | en-US |
| dc.subject | cultural trauma | en-US |
| dc.subject | wartime music | en-US |
| dc.title | ARTISTIC RESEARCH AND THE DOCUMENTATION OF SOCIAL CRISES: POSTHUMANIST APPROACHES TO COLLECTIVE AFFECTIVE STATES IN WARTIME MUSIC | en-US |
| dc.type | info:eu-repo/semantics/article | |
| dc.type | info:eu-repo/semantics/publishedVersion | |
| dc.type | Peer-reviewed Article | en-US |
| dc.type | text | en-US |
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