THE QUOTATION IN TIBERIU OLAH’S “SINFONIA GIOCOSA (!?)”

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dc.coverageSTUDIA UBB MUSICA, Volume 61 (LXI), No. 1, June 2016, pp. 265-282en-US
dc.creatorLUPU, Olguţa
dc.date2016-06-30
dc.date.accessioned2026-02-21T20:16:38Z
dc.descriptionThe study starts with a brief debate on the nature of a text as interference space of preexisting texts or, on the contrary, as an original and autonomic reality. Different aspects of music quotation are then considered: cognoscibility, defamiliarization, incorporation of cultural associations and meanings, visibility, position and integration. The case study (analysis of Tiberiu Olah’s Symphony No.4) reveals an interesting way of incorporating the quotation. The main quotation, deriving from Ode to Joy, is clearly presented only in the end of the Symphony, although its deep structure (the trichord) constitutes the basis of the whole work. Even this late appearance is not a simple quotation; the Beethovenian fragment is transformed, the affirmation turning into a painful and uncertain interrogation. Beside the famous quotation, there are many others, more or less audible, coming from a variety of authors and music spheres (opera, religious music, chamber music, patriotic song, film music). Despite their diversity, the quotations are fastened by a common DNA (the trichord), the work acquiring thus a teleological, centripetal, ordering function.en-US
dc.formatapplication/pdf
dc.identifierhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/5136
dc.identifier.urihttps://hdl.handle.net/20.500.14637/1949
dc.languageeng
dc.publisherBabeș-Bolyai University / Cluj University Pressen-US
dc.relationhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/5136/4851
dc.rightsCopyright (c) 2016 Studia Universitatis Babeș-Bolyai Musicaen-US
dc.rightshttps://creativecommons.org/licenses/by-nc-nd/4.0en-US
dc.sourceStudia Universitatis Babes-Bolyai Musica; Volume 61, No. 1, June 2016; 265-282en-US
dc.source2065-9628
dc.source1844-4369
dc.subjectquotation, intertextuality, Ode to Joy, trichord, Tiberiu Olahen-US
dc.titleTHE QUOTATION IN TIBERIU OLAH’S “SINFONIA GIOCOSA (!?)”en-US
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typePeer-reviewed Articleen-US
dc.typetexten-US

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