LIGETI’S ROMANIAN CONCERTO: FROM WAX CYLINDERS TO SYMPHONY ORCHESTRA

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dc.coverageSTUDIA UBB MUSICA, Volume 58 (LVIII), No. 1, June 2013, pp. 51-72en-US
dc.creatorŢIPLEA TEMEŞ, Bianca
dc.date2013-06-30
dc.date.accessioned2026-02-21T20:18:44Z
dc.descriptionBeneath the Romanian Concerto’s colourful orchestral surface, evoking the folk-inspired music of both Bartók and Enescu, lies Ligeti’s early activity as a researcher (1949-1950) at the Folklore Institute in Bucharest. Placing cutouts from the printed score side by side with the manuscripts of his transcriptions kept at the Paul Sacher Foundation, one may discover this piece’s origins, and the process by which Ligeti, the “archaeologist” brought the rich stock of Romanian folk music from the wax cylinders to the symphony orchestra. Romanian Concerto not only shows the impact our folk music had on the young Ligeti but also the way in which his collaboration with Romanian ethnomusicologists such as Mircea Chiriac influenced the composition of his first major orchestral piece.en-US
dc.formatapplication/pdf
dc.identifierhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8850
dc.identifier.urihttps://hdl.handle.net/20.500.14637/2186
dc.languageeng
dc.publisherBabeș-Bolyai University / Cluj University Pressen-US
dc.relationhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8850/8571
dc.rightsCopyright (c) 2013 Studia Universitatis Babeș-Bolyai Musicaen-US
dc.rightshttps://creativecommons.org/licenses/by-nc-nd/4.0en-US
dc.sourceStudia Universitatis Babes-Bolyai Musica; Volume 58, No. 1, June 2013; 51-72en-US
dc.source2065-9628
dc.source1844-4369
dc.subjectLigetien-US
dc.subjectConcert românescen-US
dc.subjectFolklore Instituteen-US
dc.subjectBucharesten-US
dc.subjectMircea Chiriacen-US
dc.titleLIGETI’S ROMANIAN CONCERTO: FROM WAX CYLINDERS TO SYMPHONY ORCHESTRAen-US
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typePeer-reviewed Articleen-US
dc.typetexten-US

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