RICHARD STRAUSS’ FOREWORDS TO INTERMEZZO

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dc.coverageSTUDIA UBB MUSICA, Volume 62 (LXII), No. 1, June 2017, pp. 233-243, DOI: 10.24193/subbmusica.2017.1.16en-US
dc.creatorASZTALOS, Bence
dc.date2017-06-20
dc.date.accessioned2026-02-21T20:15:41Z
dc.descriptionThe study centres on the instruction of the two Forewords written by Richard Strauss to his opera Intermezzo to achieve perfect text understanding. The obvious reason writing that, during orchestral or operatic performance, one cannot understand the words as expressed by the singers. The composer first resolves this problem in Intermezzo, which I can appreciate both as an opera singer and as an orchestral musician.en-US
dc.formatapplication/pdf
dc.identifierhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/2425
dc.identifier10.24193/subbmusica.2017.1.16
dc.identifier.urihttps://hdl.handle.net/20.500.14637/1842
dc.languageeng
dc.publisherBabeș-Bolyai University / Cluj University Pressen-US
dc.relationhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/2425/2342
dc.rightsCopyright (c) 2017 Studia Universitatis Babeș-Bolyai Musicaen-US
dc.rightshttps://creativecommons.org/licenses/by-nc-nd/4.0en-US
dc.sourceStudia Universitatis Babes-Bolyai Musica; Volume 62, No. 1, June 2017; 233-243en-US
dc.source2065-9628
dc.source1844-4369
dc.source10.24193/subbmusica.2017.1
dc.subjectIntermezzo, Forewords, opera, text, understanding, instructions.en-US
dc.titleRICHARD STRAUSS’ FOREWORDS TO INTERMEZZOen-US
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typePeer-reviewed Articleen-US
dc.typetexten-US

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