THE GENESIS OF THE PIANO TRIO

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dc.coverageSTUDIA UBB MUSICA, Volume 57 (LVII), No. 1, June 2012, pp. 123-130en-US
dc.creatorCÎRLEJAN, Marta
dc.date2012-06-30
dc.date.accessioned2026-02-21T20:18:50Z
dc.descriptionThe process leading to the crystallization of the piano trio can be traced back to the beginning of the17th century, a time when artists would perform under the patronage of noble families. A change in taste in the mid-18th century based on an appreciation for polyphony eventually determined the elimination of the basso continuo, the particularization of the voices and equalized the importance of the different instruments of the trio. The contributions of J. S. Bach, G. F. Haendel, as well as the French harpsichordists, J. Ph. Rameau and L. G. Guillemain with their accompanied sonatas, J. Haydn and specially W. A. Mozart, introducing the technique of multiple thematic development marked the path of the piano trio becoming a concert genre in its own right.en-US
dc.formatapplication/pdf
dc.identifierhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8862
dc.identifier.urihttps://hdl.handle.net/20.500.14637/2198
dc.languageeng
dc.publisherBabeș-Bolyai University / Cluj University Pressen-US
dc.relationhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8862/8584
dc.rightsCopyright (c) 2012 Studia Universitatis Babeș-Bolyai Musicaen-US
dc.rightshttps://creativecommons.org/licenses/by-nc-nd/4.0en-US
dc.sourceStudia Universitatis Babes-Bolyai Musica; Volume 57, No. 1, June 2012; 123-130en-US
dc.source2065-9628
dc.source1844-4369
dc.subjectpiano trioen-US
dc.subjectchamber musicen-US
dc.subjectbasso continuoen-US
dc.subjectViennese Classicismen-US
dc.subjectHaydnen-US
dc.subjectMozarten-US
dc.titleTHE GENESIS OF THE PIANO TRIOen-US
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typePeer-reviewed Articleen-US
dc.typetexten-US

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