CÉSAR FRANCK’S GRANDE PIÈCE SIMPHONIQUE OP. 17 AN ANALYSIS FROM THE PERFORMER’S POINT OF VIEW

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dc.coverageSTUDIA UBB MUSICA, Volume 59 (LIX), No. 2, December 2014, pp. 105-116en-US
dc.creatorMIKLÓS, Noémi
dc.date2014-12-30
dc.date.accessioned2026-02-21T20:18:35Z
dc.descriptionAs mentioned in the title, the following work contains the analysis of one of the most important works of César Franck and of the French organ literature, the Grande pièce symphonique op. 17. In order to realize a proper performance of this monumental work it is necessary to run through a series of structural, technical and performance issues which are essential in the process of understanding Franck’s organ music. The following analysis is structured in two main parts: the first part discusses the form of the work emphasising its main structural sections, whilst the second part handles the performance and the technical problems regarding articulation, dynamics, tempo and style.en-US
dc.formatapplication/pdf
dc.identifierhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8831
dc.identifier.urihttps://hdl.handle.net/20.500.14637/2167
dc.languageeng
dc.publisherBabeș-Bolyai University / Cluj University Pressen-US
dc.relationhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8831/8552
dc.rightsCopyright (c) 2014 Studia Universitatis Babeș-Bolyai Musicaen-US
dc.rightshttps://creativecommons.org/licenses/by-nc-nd/4.0en-US
dc.sourceStudia Universitatis Babes-Bolyai Musica; Volume 59, No. 2, December 2014; 105-116en-US
dc.source2065-9628
dc.source1844-4369
dc.subjectCésar Francken-US
dc.subjectorgan symphonyen-US
dc.subjectformen-US
dc.subjectstructureen-US
dc.subjectdynamicsen-US
dc.subjecttempoen-US
dc.subjectarticulationen-US
dc.subjectphrasingen-US
dc.titleCÉSAR FRANCK’S GRANDE PIÈCE SIMPHONIQUE OP. 17 AN ANALYSIS FROM THE PERFORMER’S POINT OF VIEWen-US
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typePeer-reviewed Articleen-US
dc.typetexten-US

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