EDE TERÉNYI AND “THE 4 SEASONS”

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dc.coverageSTUDIA UBB MUSICA, Volume 54 (LIV), No. 2, December 2009, pp. 201-213en-US
dc.creatorBANCIU, Ecaterina
dc.date2009-12-30
dc.date.accessioned2026-02-21T20:20:13Z
dc.descriptionA post-modernist projection on a Vivaldian theme seems surprising at the beginning of the 21st century; this phenomenon coincides with composer Ede Terényi’s artistic creed: “the art of the new century will pursue the ideal of a tri-dimensional portrait, comprising the visual, the auditory, and the spiritual and sentimental significance of the word. The 21st-century artists will be defined by the ease of movement in these three temporal dimensions: the past, the present of their life, and their previsions for the future will probably be anchored in the past.”en-US
dc.formatapplication/pdf
dc.identifierhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/9049
dc.identifier.urihttps://hdl.handle.net/20.500.14637/2355
dc.languageeng
dc.publisherBabeș-Bolyai University / Cluj University Pressen-US
dc.relationhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/9049/8774
dc.rightsCopyright (c) 2009 Studia Universitatis Babeș-Bolyai Musicaen-US
dc.rightshttps://creativecommons.org/licenses/by-nc-nd/4.0en-US
dc.sourceStudia Universitatis Babes-Bolyai Musica; Volume 54, No. 2, December 2009; 201-213en-US
dc.source2065-9628
dc.source1844-4369
dc.subjectVivaldien-US
dc.subjectHaydnen-US
dc.subjectTchaikovskyen-US
dc.subjectTerényien-US
dc.subjectconcerten-US
dc.subjectoratoryen-US
dc.subjectpianoen-US
dc.subjectharpsichorden-US
dc.subjectseasonsen-US
dc.subjectautumnen-US
dc.titleEDE TERÉNYI AND “THE 4 SEASONS”en-US
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typePeer-reviewed Articleen-US
dc.typetexten-US

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