THE RHYTHMICALLY, MELODICALLY AND RHYTHMIC-MELODICALLY ANALOGIES IN RICHARD WAGNER’S OPERAS

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dc.coverageSTUDIA UBB MUSICA, Volume 59 (LIX), No. 2, December 2014, pp. 117-132en-US
dc.creatorCoca, Gabriela
dc.date2014-12-30
dc.date.accessioned2026-02-21T20:18:35Z
dc.descriptionIn Richard Wagner’s opera the composer put the rhythm both in the service of the musical dramaturgy and also in the melody, the harmony, the polyphony, the orchestration and the musical form. The rhythmic and the melodic analogies of his musical works do not have this trait because of the lack of ideas of the composer. These are rhythmical and melodic archetypes, which are called ancient motifs. This paper presents, in an analytical taste, these motifs, illustrating their analogy through musical examples.en-US
dc.formatapplication/pdf
dc.identifierhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8832
dc.identifier.urihttps://hdl.handle.net/20.500.14637/2168
dc.languageeng
dc.publisherBabeș-Bolyai University / Cluj University Pressen-US
dc.relationhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8832/8553
dc.rightsCopyright (c) 2014 Studia Universitatis Babeș-Bolyai Musicaen-US
dc.rightshttps://creativecommons.org/licenses/by-nc-nd/4.0en-US
dc.sourceStudia Universitatis Babes-Bolyai Musica; Volume 59, No. 2, December 2014; 117-132en-US
dc.source2065-9628
dc.source1844-4369
dc.subjectRichard Wagneren-US
dc.subjectrhythmicalen-US
dc.subjectmelodicallyen-US
dc.subjectanalogiesen-US
dc.subjectleitmotifen-US
dc.titleTHE RHYTHMICALLY, MELODICALLY AND RHYTHMIC-MELODICALLY ANALOGIES IN RICHARD WAGNER’S OPERASen-US
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typePeer-reviewed Articleen-US
dc.typetexten-US

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