UMWERTUNGEN IN LISZTS WASSER-MUSIK

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dc.coverageSTUDIA UBB MUSICA, Volume 57 (LVII), No. 2, December 2012, pp. 75-84en-US
dc.creatorELEKES, Márta-Adrienne
dc.date2012-12-30
dc.date.accessioned2026-02-21T20:19:11Z
dc.descriptionThe magnificence of The fountains of Villa d'Este - which advanced the impressionist music - launched the idea to found out what were the antecedents and maybe the after life of the attitude toward this theme in the Liszt’s life works concerning the music written for piano. My main goal was not to analyze some works, because anyway it exist a large literature about. I’ve clung into this theme as to a connecting thread which would help me to discover what kind of content attitude could be observed among some works and what kind of musical toolbar was born in the composer’s workshop. To make it simple, what was the meaning or how it happened that this “watery” theme came into the light and in what formal solution was this concluded.en-US
dc.formatapplication/pdf
dc.identifierhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8902
dc.identifier.urihttps://hdl.handle.net/20.500.14637/2235
dc.languageeng
dc.publisherBabeș-Bolyai University / Cluj University Pressen-US
dc.relationhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8902/8625
dc.rightsCopyright (c) 2012 Studia Universitatis Babeș-Bolyai Musicaen-US
dc.rightshttps://creativecommons.org/licenses/by-nc-nd/4.0en-US
dc.sourceStudia Universitatis Babes-Bolyai Musica; Volume 57, No. 2, December 2012; 75-84en-US
dc.source2065-9628
dc.source1844-4369
dc.subjectLiszt’s life worksen-US
dc.subjectpianoen-US
dc.subject“watery” themeen-US
dc.subjectdiscoveren-US
dc.subjectantecedents and after lifeen-US
dc.subjectmusical toolbaren-US
dc.subjectcontent attitudeen-US
dc.subjectformal solutionen-US
dc.titleUMWERTUNGEN IN LISZTS WASSER-MUSIKen-US
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typePeer-reviewed Articleen-US
dc.typetexten-US

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