OPERA AND FILM – AN UNLIKELY MARRIAGE

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dc.coverageSTUDIA UBB MUSICA, Volume 58 (LVIII), No. 2, December 2013, pp. 111-122en-US
dc.creatorKÖPECZI, Julianna
dc.date2013-12-30
dc.date.accessioned2026-02-21T20:18:45Z
dc.descriptionThe aim of the following study is to analyze the manner in which opera music influenced film and became a crucial building block of certain cinematic narratives, in such films as Jonathan Demme’s Philadephia (USA, 1993), Luc Besson’s The Fifth Element (France, 1997) and Liliana Cavani’s Il portiere di note / The Night Porter (Italy, 1974). By revealing the correspondence between these audiovisual mediums and examining the common language used by them we intent to reveal numerous facets of this symbiotic relationship, all put in the service of lending meaning to the film, thus making the viewer’s escapist adventure truly unique.en-US
dc.formatapplication/pdf
dc.identifierhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8852
dc.identifier.urihttps://hdl.handle.net/20.500.14637/2188
dc.languageeng
dc.publisherBabeș-Bolyai University / Cluj University Pressen-US
dc.relationhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8852/8574
dc.rightsCopyright (c) 2013 Studia Universitatis Babeș-Bolyai Musicaen-US
dc.rightshttps://creativecommons.org/licenses/by-nc-nd/4.0en-US
dc.sourceStudia Universitatis Babes-Bolyai Musica; Volume 58, No. 2, December 2013; 111-122en-US
dc.source2065-9628
dc.source1844-4369
dc.subjectoperaen-US
dc.subjectfilmen-US
dc.subjectmusicen-US
dc.subjectnarrativeen-US
dc.subjectcorrespondenceen-US
dc.subjectmeaningen-US
dc.subjectaudiovisual mediumen-US
dc.titleOPERA AND FILM – AN UNLIKELY MARRIAGEen-US
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typePeer-reviewed Articleen-US
dc.typetexten-US

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