THE VOCAL SCORE IN THE OPERA “THE LYING WOLF” BY ZLATA TCACH

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dc.coverageSTUDIA UBB MUSICA, Volume 61 (LXI), No. 2, December 2016, pp. 235-244en-US
dc.creatorGUŢANU STOIAN, Luminiţa
dc.date2016-12-30
dc.date.accessioned2026-02-21T20:16:47Z
dc.descriptionThis study aims at emphasizing the composer’s ability to attain a musical construction for each of the opera’s characters. We will notice that, in this opera, Zlata Tkach (also spelled “Tcaci”) uses both traditional, formal structures, such as the aria, arioso, as well as less traditional ones – the song, using, in all of them, three facets of the relation between text and melody, starting with the prevalence of the text, often shifting to a primordially of the melody, but still inclining, most of the time, toward an equivalence between the text and its musical pillar. As regards the makeup of the musical discourse, the author proceeds in a detailed manner, with each role, and the melodic ideas that she constructs are subjected to a unitary, evolving vision.en-US
dc.formatapplication/pdf
dc.identifierhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/5192
dc.identifier.urihttps://hdl.handle.net/20.500.14637/1968
dc.languageeng
dc.publisherBabeș-Bolyai University / Cluj University Pressen-US
dc.relationhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/5192/4904
dc.rightsCopyright (c) 2016 Studia Universitatis Babeș-Bolyai Musicaen-US
dc.rightshttps://creativecommons.org/licenses/by-nc-nd/4.0en-US
dc.sourceStudia Universitatis Babes-Bolyai Musica; Volume 61, No. 2, December 2016; 235-244en-US
dc.source2065-9628
dc.source1844-4369
dc.subjectBessarabian opera, Zlata Tcach, The Lying Wolf, Bessarabian composer, musical theatre for children.en-US
dc.titleTHE VOCAL SCORE IN THE OPERA “THE LYING WOLF” BY ZLATA TCACHen-US
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typePeer-reviewed Articleen-US
dc.typetexten-US

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