THE FOURTH DIMENSION IN AUREL STROE’S MUSIC

Simple item page
dc.coverageSTUDIA UBB MUSICA, Volume 55 (LV), No. 1, June 2010, pp. 201-206en-US
dc.creatorMĂNIUŢ, Petruţa-Maria
dc.date2010-06-30
dc.date.accessioned2026-02-21T20:19:40Z
dc.descriptionDinu Ciocan is the one who found first similarities between the work of art and the fuzzy set, which is subject to gradual change. In compositional art, Aurel Stroe translates these notions into his music. This perspective is very adequate, especially as it belongs to the mathematical notions that are very close to the aesthetics of the work of art, which involves the poetic dimension, the ethics of the intentional ambiguity and the vague character.en-US
dc.formatapplication/pdf
dc.identifierhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8974
dc.identifier.urihttps://hdl.handle.net/20.500.14637/2296
dc.languageeng
dc.publisherBabeș-Bolyai University / Cluj University Pressen-US
dc.relationhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8974/8695
dc.rightsCopyright (c) 2010 Studia Universitatis Babeș-Bolyai Musicaen-US
dc.rightshttps://creativecommons.org/licenses/by-nc-nd/4.0en-US
dc.sourceStudia Universitatis Babes-Bolyai Musica; Volume 55, No. 1, June 2010; 201-206en-US
dc.source2065-9628
dc.source1844-4369
dc.subjectfuzzy setsen-US
dc.subjectcontemporary musicen-US
dc.titleTHE FOURTH DIMENSION IN AUREL STROE’S MUSICen-US
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typePeer-reviewed Articleen-US
dc.typetexten-US

Files

Original bundle

Now showing 1 - 1 of 1
Thumbnail Image
Name:
8695.pdf
Size:
124.79 KB
Format:
Adobe Portable Document Format
Description:
PDF imported from OJS (https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/download/8974/8695)
Download

Collections

Studia Universitatis Babeș-Bolyai Musica