THE INTERPRETATIVE ANALYSIS OF THE SPIRITUS DOMINI INTROIT

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dc.coverageSTUDIA UBB MUSICA, Volume 54 (LIV), No. 1, June 2009, pp. 89-98en-US
dc.creatorVÁNYOLOS, András
dc.date2009-06-30
dc.date.accessioned2026-02-21T20:20:06Z
dc.descriptionIn the glorious days of the Gregorian chant, the melodies were performed by heart; therefore, those who interpreted them had to master a great number of titles, which could suffer small variations at any time. Consequently, the necessity of recording these piece was imminent, a process which was - for the first time in music history - distinctive for every single monastery. This recording method was mainly in reference to the interpretation of such works; the neume recording the gesture of that particular conductor, augmented by certain additional signs. This is a testament of an extremely finely nuanced interpretation, a process that we have chosen to illustrate for you with the help of the Spiritus Domini Introit.en-US
dc.formatapplication/pdf
dc.identifierhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/9032
dc.identifier.urihttps://hdl.handle.net/20.500.14637/2340
dc.languageeng
dc.publisherBabeș-Bolyai University / Cluj University Pressen-US
dc.relationhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/9032/8758
dc.rightsCopyright (c) 2009 Studia Universitatis Babeș-Bolyai Musicaen-US
dc.rightshttps://creativecommons.org/licenses/by-nc-nd/4.0en-US
dc.sourceStudia Universitatis Babes-Bolyai Musica; Volume 54, No. 1, June 2009; 89-98en-US
dc.source2065-9628
dc.source1844-4369
dc.subjectGregorian chanten-US
dc.subjectIntroiten-US
dc.subjectAntiphonen-US
dc.subjectpes subbipunctisen-US
dc.subjectMetz notationen-US
dc.subjectDoxologyen-US
dc.subjectMassen-US
dc.subjectinterpretationen-US
dc.subjectrecordingen-US
dc.titleTHE INTERPRETATIVE ANALYSIS OF THE SPIRITUS DOMINI INTROITen-US
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typePeer-reviewed Articleen-US
dc.typetexten-US

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