THE MELODY OF THE TEXT AND THE TEXT OF THE MELODY. WEÖRES – KODÁLY ANALOGIES

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dc.coverageSTUDIA UBB MUSICA, Volume 68 (LXVIII), No. 1, June 2023, pp. 37-56, DOI: 10.24193/subbmusica.2022.1.03en-US
dc.creatorCSÁKÁNY, Csilla
dc.date2023-06-30
dc.date.accessioned2026-02-21T20:16:52Z
dc.descriptionSándor Weöres was a significant experimental artist in Hungarian poetry, who often perceived the tonal elements of the Hungarian language as melodies. The musicality of his texts, the rhythmic play of his words finds artistic form in his verses. Zoltán Kodály followed the poet’s poems with 4 4 and literary theory and Sándor Weöres’s affinity for music encouraged a creative-artistic dialogue between the two, which provided the space for a number of masterpieces for both children and adult audience. In our paper, we will look for language-music (text-melody) analogies in Kodály’s works composed to Weöres’ poems.en-US
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dc.identifierhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/6120
dc.identifier10.24193/subbmusica.2023.1.03
dc.identifier.urihttps://hdl.handle.net/20.500.14637/1977
dc.languageeng
dc.publisherBabeș-Bolyai University / Cluj University Pressen-US
dc.relationhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/6120/5806
dc.rightsCopyright (c) 2023 Studia Universitatis Babeș-Bolyai Musicaen-US
dc.rightshttps://creativecommons.org/licenses/by-nc-nd/4.0en-US
dc.sourceStudia Universitatis Babes-Bolyai Musica; Volume 68, No. 1, June 2023; 37-56en-US
dc.source2065-9628
dc.source1844-4369
dc.source10.24193/subbmusica.2023.1
dc.subjectAnalogical thinking, text and melody, vocal compositions, Sándor Weöres, Zoltán Kodályen-US
dc.titleTHE MELODY OF THE TEXT AND THE TEXT OF THE MELODY. WEÖRES – KODÁLY ANALOGIESen-US
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typePeer-reviewed Articleen-US
dc.typetexten-US

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