LA SYMÉTRIE HARMONIQUE DANS LA CONSTRUCTION FORMELLE DE DON JUAN («MASQUES» OP. 34) DE KAROL SZYMANOWSKI

dc.coverageSTUDIA UBB MUSICA, Volume 61 (LXI), No. 1, June 2016, pp. 225-256en-US
dc.creatorALVAREZ, Christophe
dc.date2016-06-30
dc.date.accessioned2026-02-21T20:16:37Z
dc.descriptionThe purpose of this study is to show—by means of a rigorous analysis of the harmonic principles which govern the multiple sections of the work—that beyond the apparently heterogeneous surface the musical discourse is coherently and subtly organised within a space governed by complex relations of symmetry. Through these symmetries we witness a constant resonance between microcosm and macrocosm. This analysis brings new light upon Szymanowski’s architectural conception, which suddenly reveals itself clear and intelligible.en-US
dc.formatapplication/pdf
dc.identifierhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/5134
dc.identifier.urihttps://hdl.handle.net/20.500.14637/1947
dc.languageeng
dc.publisherBabeș-Bolyai University / Cluj University Pressen-US
dc.relationhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/5134/4849
dc.rightsCopyright (c) 2016 Studia Universitatis Babeș-Bolyai Musicaen-US
dc.rightshttps://creativecommons.org/licenses/by-nc-nd/4.0en-US
dc.sourceStudia Universitatis Babes-Bolyai Musica; Volume 61, No. 1, June 2016; 225-256en-US
dc.source2065-9628
dc.source1844-4369
dc.subjectSzymanowski, harmony, symmetry, quintal organization, pillars, formal conceptionen-US
dc.titleLA SYMÉTRIE HARMONIQUE DANS LA CONSTRUCTION FORMELLE DE DON JUAN («MASQUES» OP. 34) DE KAROL SZYMANOWSKIen-US
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typePeer-reviewed Articleen-US
dc.typetexten-US

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