JOHN RUTTER’S REQUIEM – BETWEEN ANGLICAN TRADITION AND FRENCH MUSICAL AESTHETICS

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dc.coverageSTUDIA UBB MUSICA, Volume 64 (LXIV), No. 1, June 2019, pp. 125-149, DOI: 10.24193/subbmusica.2019.1.09en-US
dc.creatorKÁLLÓ, Krisztián
dc.date2019-06-20
dc.date.accessioned2026-02-21T20:14:49Z
dc.descriptionThe solemn, religious musical field has always been a very important and fertile realm for composers, providing different tools and contexts as compared to lay music, both in terms of spiritual context, writing techniques, and symbolism. In the present study, we will put forth certain aspects of religious music, addressing the evolution and main features of the genre, as well as the context in which the British composer John Rutter’s Requiem was created. In the section dedicated to the composer’s own portrait, his role in Anglican music is emphasized, while the analysis of the Requiem’s parts, both from the standpoint of composition and style, will presents important details concerning Rutter’s work.en-US
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dc.identifierhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/2062
dc.identifier10.24193/subbmusica.2019.1.09
dc.identifier.urihttps://hdl.handle.net/20.500.14637/1747
dc.languageeng
dc.publisherBabeș-Bolyai University / Cluj University Pressen-US
dc.relationhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/2062/1990
dc.rightsCopyright (c) 2019 Studia Universitatis Babeș-Bolyai Musicaen-US
dc.rightshttps://creativecommons.org/licenses/by-nc-nd/4.0en-US
dc.sourceStudia Universitatis Babes-Bolyai Musica; Volume 64, No. 1, June 2019; 125-149en-US
dc.source2065-9628
dc.source1844-4369
dc.source10.24193/subbmusica.2019.1
dc.subjectJohn Rutter, British music, religious music, requiem, anglican tradition, musical aesthetics.en-US
dc.titleJOHN RUTTER’S REQUIEM – BETWEEN ANGLICAN TRADITION AND FRENCH MUSICAL AESTHETICSen-US
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typePeer-reviewed Articleen-US
dc.typetexten-US

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