CONSTRAINT AND FREEDOM. KODÁLY: “CHILDREN’S DANCES” AND “24 LITTLE CANONS ON THE BLACK KEYS”

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dc.coverageSTUDIA UBB MUSICA, Volume 67 (LXVII), Special Issue 2, December 2022, pp. 163-188, DOI: 10.24193/ subbmusica.2022.spiss2.11en-US
dc.creatorVÁRADY, Krisztina
dc.date2022-12-20
dc.date.accessioned2026-02-21T20:16:06Z
dc.descriptionThe main goal of the article is to examine the constraints and freedom of the composer while using exclusively the notes of the pentatonic scale. For this purpose, we present Kodály’s two piano cycles written on the black keys from different perspectives. In connection with the cycle 24 Little Canons on the Black Keys the use of one-line letter notation pieces in solfege lessons will be introduced. From the other cycle, Children’s Dances, we analyze pieces in which elements from Hungarian folk music or verbunkos can be detected.en-US
dc.formatapplication/pdf
dc.identifierhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/2879
dc.identifier10.24193/subbmusica.2022.spiss2.11
dc.identifier.urihttps://hdl.handle.net/20.500.14637/1891
dc.languageeng
dc.publisherBabeș-Bolyai University / Cluj University Pressen-US
dc.relationhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/2879/2772
dc.rightsCopyright (c) 2022 Studia Universitatis Babeș-Bolyai Musicaen-US
dc.rightshttps://creativecommons.org/licenses/by-nc-nd/4.0en-US
dc.sourceStudia Universitatis Babes-Bolyai Musica; Volume 67, Special Issue 2, December 2022; 163-188en-US
dc.source2065-9628
dc.source1844-4369
dc.source10.24193/subbmusica.2022.spiss2
dc.subjectKodály method, pentatonic scale, piano pieces, Hungarian folk musicen-US
dc.titleCONSTRAINT AND FREEDOM. KODÁLY: “CHILDREN’S DANCES” AND “24 LITTLE CANONS ON THE BLACK KEYS”en-US
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typePeer-reviewed Articleen-US
dc.typetexten-US

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