ALFRED SCHNITTKE’S POLYSTYLISTIC JOURNEY: “THE THIRD STRING QUARTET”

dc.coverageSTUDIA UBB MUSICA, Volume 57 (LVII), No. 1, June 2012, pp. 103-115en-US
dc.creatorANDREICA, Oana
dc.date2012-06-30
dc.date.accessioned2026-02-21T20:18:47Z
dc.descriptionWithin the extremely eclectic musical manifestations of the 20th century, Alfred Schnittke stands as a key‑figure, being one of the most influential composers to have linked the past to the present, creating an original sound world, tormented by violent contrasts and conflicts, confusion, nostalgia, irony and parody. His works often look back at the musical tradition, exploring its potential by means of modern compositional techniques and thus giving it a totally new shape and value. Often associated with the postmodern orientation, Alfred Schnittke is the exponent of the complex concept of polystylism, bringing the idea of borrowings of musical material to a superior level. Integrating them into the organic structure of his works and subjecting them to variation up to the loss of their identity, they receive a double significance: on the one hand, they represent testimonies of an ancient world, on the other elements that symbolize the ever changing contemporary musical scenery.en-US
dc.formatapplication/pdf
dc.identifierhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8857
dc.identifier.urihttps://hdl.handle.net/20.500.14637/2193
dc.languageeng
dc.publisherBabeș-Bolyai University / Cluj University Pressen-US
dc.relationhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8857/8579
dc.rightsCopyright (c) 2012 Studia Universitatis Babeș-Bolyai Musicaen-US
dc.rightshttps://creativecommons.org/licenses/by-nc-nd/4.0en-US
dc.sourceStudia Universitatis Babes-Bolyai Musica; Volume 57, No. 1, June 2012; 103-115en-US
dc.source2065-9628
dc.source1844-4369
dc.subjectSchnittkeen-US
dc.subjectpolystylismen-US
dc.subjectpostmodernismen-US
dc.subjectstring quarteten-US
dc.subjectLassoen-US
dc.subjectBeethovenen-US
dc.subjectShostakovichen-US
dc.titleALFRED SCHNITTKE’S POLYSTYLISTIC JOURNEY: “THE THIRD STRING QUARTET”en-US
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typePeer-reviewed Articleen-US
dc.typetexten-US

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