TEXTURALISM

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dc.coverageSTUDIA UBB MUSICA, Volume 58 (LVIII), No. 2, December 2013, pp. 73-100en-US
dc.creatorCOZMA, Andrei C.
dc.date2013-12-30
dc.date.accessioned2026-02-21T20:18:41Z
dc.descriptionAlthough identifying and defining texture as a specific sound organization in sound mass compositions comes about frequently in contemporary musicology, only a handful of researchers regard this as a tendency of what turns out to be a large number of composers towards an aesthetic with underlying principles of composition. A delimitation of a notion that includes such a diversity of compositional methods into a stylistic unity still tapped into by composers is achieved by analysing some particular characteristics of a few textural pieces and other attributes that are common to various other pieces. The suggested theory of texturalism thus systemizes an important part of the 20th century music in which compositional techniques of other style defining musical practices are grouped together with singular technical features.en-US
dc.formatapplication/pdf
dc.identifierhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8845
dc.identifier.urihttps://hdl.handle.net/20.500.14637/2181
dc.languageeng
dc.publisherBabeș-Bolyai University / Cluj University Pressen-US
dc.relationhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8845/8568
dc.rightsCopyright (c) 2013 Studia Universitatis Babeș-Bolyai Musicaen-US
dc.rightshttps://creativecommons.org/licenses/by-nc-nd/4.0en-US
dc.sourceStudia Universitatis Babes-Bolyai Musica; Volume 58, No. 2, December 2013; 73-100en-US
dc.source2065-9628
dc.source1844-4369
dc.subjecttexturalismen-US
dc.subjecttextureen-US
dc.subjectsound massen-US
dc.subjectVarèseen-US
dc.subjectXenakisen-US
dc.subjectLigetien-US
dc.titleTEXTURALISMen-US
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typePeer-reviewed Articleen-US
dc.typetexten-US

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