ORGAN MUSIC DURING THE FRENCH REVOLUTION OF 1789

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dc.coverageSTUDIA UBB MUSICA, Volume 60 (LX), No. 1, June 2015, pp. 45-56en-US
dc.creatorMIKLOS, Noémi
dc.date2015-06-30
dc.date.accessioned2026-02-21T20:16:10Z
dc.descriptionThe following work contains information regarding the French art of organ music during the French Revolution of 1789. The revolutionary period had been a very difficult time for church organists who were forced to play and compose revolutionary music during the festivities organized by the state. The essay offers details on the most important organists active during the period of the revolution and their organ works, followed by the analysis of two representative revolutionary works: Marche des Marseilloise et l’Air Ça-ira by Claude Benigne Balbastre and Victoire de l’Armée d’Italie ou Bataille de Montenotte by Jacques-Marie Beauvarlet-Charpentier.en-US
dc.formatapplication/pdf
dc.identifierhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/5074
dc.identifier.urihttps://hdl.handle.net/20.500.14637/1899
dc.languageeng
dc.publisherBabeș-Bolyai University / Cluj University Pressen-US
dc.relationhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/5074/4790
dc.rightsCopyright (c) 2015 Studia Universitatis Babeș-Bolyai Musicaen-US
dc.rightshttps://creativecommons.org/licenses/by-nc-nd/4.0en-US
dc.sourceStudia Universitatis Babes-Bolyai Musica; Volume 60, No. 1, June 2015; 45-56en-US
dc.source2065-9628
dc.source1844-4369
dc.subjectFrench Revolution, revolutionary music, organ, hymn, battle scene, sound effects.en-US
dc.titleORGAN MUSIC DURING THE FRENCH REVOLUTION OF 1789en-US
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typePeer-reviewed Articleen-US
dc.typetexten-US

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