COMPARATIVE ANALYSIS OF FRYDERYK CHOPIN’S AND JOHN FIELD’S NOCTURNES: PART II – CONTINUE FROM PREVIOUS ISSUE

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dc.coverageSTUDIA UBB MUSICA, Volume 64 (LXIV), No. 2, December 2019, pp. 161-188, DOI: 10.24193/subbmusica.2019.2.09en-US
dc.creatorSZILVESZTER, Tímea
dc.date2019-12-10
dc.date.accessioned2026-02-21T20:15:03Z
dc.descriptionMusic History holds John Field as the creator of the nocturne genre. The purpose of this work is to reveal the formal, tonal and stylistic features that prove the influence of the Irish composer on Fryderyk Chopin's compositions of the same genre.en-US
dc.formatapplication/pdf
dc.identifierhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/2114
dc.identifier10.24193/subbmusica.2019.2.09
dc.identifier.urihttps://hdl.handle.net/20.500.14637/1774
dc.languageeng
dc.publisherBabeș-Bolyai University / Cluj University Pressen-US
dc.relationhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/2114/2045
dc.rightsCopyright (c) 2019 Studia Universitatis Babeș-Bolyai Musicaen-US
dc.rightshttps://creativecommons.org/licenses/by-nc-nd/4.0en-US
dc.sourceStudia Universitatis Babes-Bolyai Musica; Volume 64, No. 2, December 2019; 161-188en-US
dc.source2065-9628
dc.source1844-4369
dc.source10.24193/subbmusica.2019.2
dc.subjectJohn Field, Fryderyk Chopin, nocturne, formal structure, tonality, ornaments.en-US
dc.titleCOMPARATIVE ANALYSIS OF FRYDERYK CHOPIN’S AND JOHN FIELD’S NOCTURNES: PART II – CONTINUE FROM PREVIOUS ISSUEen-US
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typePeer-reviewed Articleen-US
dc.typetexten-US

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