LA TUBA MIRUM DEL REQUIEM DI MOZART (KV 626) E IL SUONO SPARSO

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dc.coverageSTUDIA UBB THEOL. CATH. LATINA, Volume 62 (LXII), No. 1, June 2017, pp. 38-51, DOI: 10.24193/theol.cath.latina.2017.LXII.1.03en-US
dc.creatorBAKÓ, László
dc.date2017-06-30
dc.date.accessioned2026-02-21T23:03:32Z
dc.descriptionThe Tuba mirum of Mozart’s Requiem (KV 626) and the scattered sound. The present article represents a musico-theological investigation into the Tuba mirum of Mozart’s Requiem (KV 626). The research consists of two parts. First, we examine the text in its liturgical context (Dies irae), pointing out its theological meaning. Second, we analyse the characteristic features of the music. We aim to show how, through the brilliant musical composition, Mozart has interpreted the text of Tuba mirum. It is argued that the various musical components, such as the trombone solo, stress the theology expressed in the text.en-US
dc.formatapplication/pdf
dc.identifierhttps://studia.reviste.ubbcluj.ro/index.php/subbtheologialatina/article/view/3692
dc.identifier10.24193/theol.cath.latina.2017.LXII.1.03
dc.identifier.urihttps://hdl.handle.net/20.500.14637/3129
dc.languageeng
dc.publisherBabeș-Bolyai University / Cluj University Pressen-US
dc.relationhttps://studia.reviste.ubbcluj.ro/index.php/subbtheologialatina/article/view/3692/3570
dc.rightsCopyright (c) 2017 Studia Universitatis Babeș-Bolyai Theologia Catholica Latinaen-US
dc.rightshttps://creativecommons.org/licenses/by-nc-nd/4.0en-US
dc.sourceStudia Universitatis Babeș-Bolyai Theologia Catholica Latina; Volume 62, No. 1, 2017; 38-51en-US
dc.source2065-944X
dc.source1582-2524
dc.source10.24193/theol.cath.latina.2017.LXII.1
dc.subjectW.A. Mozart, Requiem, Sequence, Dies irae, Tuba mirum, [Theology of] sacred music.en-US
dc.titleLA TUBA MIRUM DEL REQUIEM DI MOZART (KV 626) E IL SUONO SPARSOen-US
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typePeer-reviewed Articleen-US
dc.typetexten-US

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