L’OPÉRA JONAS D’ANATOL VIERU. 1. SYMBOLES ET INTERPRÉTATIONS POLITIQUES

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Babeș-Bolyai University / Cluj University Press

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The aim of this text is to analyse the opera Jonas (1976) of the Romanian composer Anatol Vieru. The first part is concentrated on the interpretations of the literary and musical symbols of this opera in the communist political context. The second part is analysing the specific structures and the symmetries (palindromes).

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Anatol Vieru, Jonas (Iona), Escher, Eliade, Ionesco, Sorescu, metamorphosis, symbols, communism, absurd, surrealism, identity, Romanian music, musical analysis, contemporary music, music after 1945, musicology

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https://hdl.handle.net/20.500.14637/2295

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Studia Universitatis Babeș-Bolyai Musica

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