L’OPÉRA JONAS D’ANATOL VIERU. 1. SYMBOLES ET INTERPRÉTATIONS POLITIQUES

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dc.coverageSTUDIA UBB MUSICA, Volume 55 (LV), No. 1, June 2010, pp. 183-199en-US
dc.creatorSTAN, Luana
dc.date2010-06-30
dc.date.accessioned2026-02-21T20:19:40Z
dc.descriptionThe aim of this text is to analyse the opera Jonas (1976) of the Romanian composer Anatol Vieru. The first part is concentrated on the interpretations of the literary and musical symbols of this opera in the communist political context. The second part is analysing the specific structures and the symmetries (palindromes).en-US
dc.formatapplication/pdf
dc.identifierhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8973
dc.identifier.urihttps://hdl.handle.net/20.500.14637/2295
dc.languageeng
dc.publisherBabeș-Bolyai University / Cluj University Pressen-US
dc.relationhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8973/8694
dc.rightsCopyright (c) 2010 Studia Universitatis Babeș-Bolyai Musicaen-US
dc.rightshttps://creativecommons.org/licenses/by-nc-nd/4.0en-US
dc.sourceStudia Universitatis Babes-Bolyai Musica; Volume 55, No. 1, June 2010; 183-199en-US
dc.source2065-9628
dc.source1844-4369
dc.subjectAnatol Vieruen-US
dc.subjectJonas (Iona)en-US
dc.subjectEscheren-US
dc.subjectEliadeen-US
dc.subjectIonescoen-US
dc.subjectSorescuen-US
dc.subjectmetamorphosisen-US
dc.subjectsymbolsen-US
dc.subjectcommunismen-US
dc.subjectabsurden-US
dc.subjectsurrealismen-US
dc.subjectidentityen-US
dc.subjectRomanian musicen-US
dc.subjectmusical analysisen-US
dc.subjectcontemporary musicen-US
dc.subjectmusic after 1945en-US
dc.subjectmusicologyen-US
dc.titleL’OPÉRA JONAS D’ANATOL VIERU. 1. SYMBOLES ET INTERPRÉTATIONS POLITIQUESen-US
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typePeer-reviewed Articleen-US
dc.typetexten-US

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