ENJEUX CRITIQUES DE LA DÉRISION POÉTIQUE CHEZ MATÉÏ VIȘNIEC
| dc.coverage | STUDIA UBB PHILOLOGIA, Volume 67 (LXVII), No. 2, June 2022, pp.301-310, DOI: 10.24193/subbphilo.2022.2.17 | en-US |
| dc.creator | CROITORU, Corina | |
| dc.date | 2022-06-30 | |
| dc.date.accessioned | 2026-02-21T08:38:06Z | |
| dc.description | The Critical Stakes of Poetic Derision in the Work of Matei Vișniec. This paper revisits the poetry written by Matei Vișniec during the communist period in order to prove that it can be read as a civil action against the totalitarian system. It relies on the examination of Vișniec’s deployment of a series of strategies of derision, such as allusions, irony, humor, or parables. The main purpose of this re-reading is to both emphasize the subversive character of the writer’s poetic work, a rather particular case in its ethical challenging of communist realities in relation to the postmodernist aesthetic program, and underline the idealism of an ironic poet in whose vision the writer is, above all, a professional disruptor of dogmata. Article history: Received 21 January 2022; Revised 29 April 2022; Accepted 5 May 2022; Available online 30 June 2022; Available print 30 June 2022. REZUMAT. Mize critice ale deriziunii poetice la Matei Vișniec. Studiul propune o analiză a poeziei publicate de Matei Vișniec în perioada comunistă, pentru a evidenția faptul că aceasta poate fi citită ca proces deschis sistemului totalitar din interior, prin intermediul unor strategii ale deriziunii dezvoltate cu tact, precum aluzia, ironia, umorul, parabola etc. Obiectivul acestei relecturi este acela de a sublinia caracterul subversiv al creației poetice a autorului, particular, prin angajamentul etic împotriva realităților comuniste, în raport cu programul estetic postmodern, precum și de a accentua idealismul unui poet ironic în viziunea căruia artistul este, înainte de toate, un perturbator profesionist al dogmelor. Cuvinte-cheie: Matei Vișniec, poezie, comunism, subversiune, ironie | en-US |
| dc.format | application/pdf | |
| dc.identifier | https://studia.reviste.ubbcluj.ro/index.php/subbphilologia/article/view/247 | |
| dc.identifier | 10.24193/subbphilo.2022.2.17 | |
| dc.identifier.uri | https://hdl.handle.net/20.500.14637/236 | |
| dc.language | eng | |
| dc.publisher | Babeș-Bolyai University / Cluj University Press | en-US |
| dc.relation | https://studia.reviste.ubbcluj.ro/index.php/subbphilologia/article/view/247/234 | |
| dc.rights | Copyright (c) 2022 Studia Universitatis Babeș-Bolyai Philologia | en-US |
| dc.rights | https://creativecommons.org/licenses/by-nc-nd/4.0 | en-US |
| dc.source | Studia Universitatis Babeș-Bolyai Philologia; Volume 67, No. 2, 2022; 301-310 | en-US |
| dc.source | 2065-9652 | |
| dc.source | 1220-0484 | |
| dc.source | 10.24193/subbphilo.2022.2 | |
| dc.subject | Matei Vișniec, poetry, Communism, subversion, irony | en-US |
| dc.title | ENJEUX CRITIQUES DE LA DÉRISION POÉTIQUE CHEZ MATÉÏ VIȘNIEC | en-US |
| dc.type | info:eu-repo/semantics/article | |
| dc.type | info:eu-repo/semantics/publishedVersion | |
| dc.type | text | en-US |
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