MUSIKALISCHE KONZEPTION UND KOMPOSITIONSSTIL VON CÉSAR FRANCK IN DEN ORCHESTRALEN UND INSTRUMENTALEN WERKEN SEINER LETZTEN SCHAFFENSJAHRE

dc.coverageSTUDIA UBB MUSICA, Volume 60 (LX), No. 2, December 2015, pp. 45-62en-US
dc.creatorFEKETE, Miklós
dc.date2015-12-30
dc.date.accessioned2026-02-21T20:16:19Z
dc.descriptionThis paper presents the importance of César Franck’s oeuvre through the three periods of his creation, and focuses on the works of his final years, in special on the instrumental and orchestral compositions of the third period. The musical analysis proposes to identify and exemplify a few of the procedures and compositional techniques of César Franck, which define the – on the one hand – the “classical” forms and structure, and – on the other hand – the innovative melodic and harmonic aspects of the musical discourse.en-US
dc.formatapplication/pdf
dc.identifierhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/5094
dc.identifier.urihttps://hdl.handle.net/20.500.14637/1919
dc.languageeng
dc.publisherBabeș-Bolyai University / Cluj University Pressen-US
dc.relationhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/5094/4810
dc.rightsCopyright (c) 2015 Studia Universitatis Babeș-Bolyai Musicaen-US
dc.rightshttps://creativecommons.org/licenses/by-nc-nd/4.0en-US
dc.sourceStudia Universitatis Babes-Bolyai Musica; Volume 60, No. 2, December 2015; 45-62en-US
dc.source2065-9628
dc.source1844-4369
dc.subjectCésar Franck, romantism, the three periods of Franck’s creation, late works, forms, cyclical procedures, innovative harmonic aspects, style, componistic procedures, analysis.en-US
dc.titleMUSIKALISCHE KONZEPTION UND KOMPOSITIONSSTIL VON CÉSAR FRANCK IN DEN ORCHESTRALEN UND INSTRUMENTALEN WERKEN SEINER LETZTEN SCHAFFENSJAHREen-US
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typePeer-reviewed Articleen-US
dc.typetexten-US

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