MAURICE RAVEL BETWEEN IMPRESSIONISM, SYMBOLISM AND NEOCLASSICISM

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dc.coverageSTUDIA UBB MUSICA, Volume 64 (LXIV), No. 1, June 2019, pp. 261-267, DOI: 10.24193/subbmusica.2019.1.16en-US
dc.creatorOLÁH, Boglárka Eszter
dc.date2019-06-20
dc.date.accessioned2026-02-21T20:14:52Z
dc.descriptionMaurice Ravel together with Claude Debussy are considered the two great impressionist composers of the twentieth century, however both of them refused this appellation. The truth, as usual, is somewhere in the middle: although Ravel’s music through his harmonies belongs to Impressionism, through the thematism of his works belongs to Symbolism and through the use of traditional forms belongs to Neoclassicism, each association can be only partially correct. This study tries to demonstrate this affirmation through a short overview of the composer’s art.en-US
dc.formatapplication/pdf
dc.identifierhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/2077
dc.identifier10.24193/subbmusica.2019.1.16
dc.identifier.urihttps://hdl.handle.net/20.500.14637/1754
dc.languageeng
dc.publisherBabeș-Bolyai University / Cluj University Pressen-US
dc.relationhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/2077/2007
dc.rightsCopyright (c) 2019 Studia Universitatis Babeș-Bolyai Musicaen-US
dc.rightshttps://creativecommons.org/licenses/by-nc-nd/4.0en-US
dc.sourceStudia Universitatis Babes-Bolyai Musica; Volume 64, No. 1, June 2019; 261-267en-US
dc.source2065-9628
dc.source1844-4369
dc.source10.24193/subbmusica.2019.1
dc.subjectRavel, Impressionism, Symbolism, Neoclassicism, Skills.en-US
dc.titleMAURICE RAVEL BETWEEN IMPRESSIONISM, SYMBOLISM AND NEOCLASSICISMen-US
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typePeer-reviewed Articleen-US
dc.typetexten-US

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