MAURICE RAVEL: KLAVIERKONZERT IN G-DUR (ANALYSE DES ZWEITEN SATZES „ADAGIO ASSAI”)

Thumbnail Image

Files

4820.pdf (939.5 KB)

Date

Authors

Journal Title

Journal ISSN

Volume Title

Publisher

Babeș-Bolyai University / Cluj University Press

DOI

Abstract

Description

In the first part consists of the origins as well as the afterlife of the piece. Ravel worked on his two piano concertos (G-major and D-major) at the same time starting in 1929. Ravel himself intended to premiere the piece; finally Marguerite Long played it due to the composers’ lack of pianistic technique. The second part is an analysis of the second movement of the concerto. A formal and harmonic analysis is being followed by the orchestral analysis and an explanation to the piano solo.

Keywords

Ravel, Piano-concerto, analysis

Citation

URI

https://hdl.handle.net/20.500.14637/1926

Collections

Studia Universitatis Babeș-Bolyai Musica

Endorsement

Review

Supplemented By

Referenced By

Rights and licensing

Copyright (c) 2015 Studia Universitatis Babeș-Bolyai Musica
https://creativecommons.org/licenses/by-nc-nd/4.0