MAURICE RAVEL: KLAVIERKONZERT IN G-DUR (ANALYSE DES ZWEITEN SATZES „ADAGIO ASSAI”)

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dc.coverageSTUDIA UBB MUSICA, Volume 60 (LX), No. 2, December 2015, pp. 143-161en-US
dc.creatorMAROSVÁRI, Dorottya
dc.date2015-12-30
dc.date.accessioned2026-02-21T20:16:26Z
dc.descriptionIn the first part consists of the origins as well as the afterlife of the piece. Ravel worked on his two piano concertos (G-major and D-major) at the same time starting in 1929. Ravel himself intended to premiere the piece; finally Marguerite Long played it due to the composers’ lack of pianistic technique. The second part is an analysis of the second movement of the concerto. A formal and harmonic analysis is being followed by the orchestral analysis and an explanation to the piano solo.en-US
dc.formatapplication/pdf
dc.identifierhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/5104
dc.identifier.urihttps://hdl.handle.net/20.500.14637/1926
dc.languageeng
dc.publisherBabeș-Bolyai University / Cluj University Pressen-US
dc.relationhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/5104/4820
dc.rightsCopyright (c) 2015 Studia Universitatis Babeș-Bolyai Musicaen-US
dc.rightshttps://creativecommons.org/licenses/by-nc-nd/4.0en-US
dc.sourceStudia Universitatis Babes-Bolyai Musica; Volume 60, No. 2, December 2015; 143-161en-US
dc.source2065-9628
dc.source1844-4369
dc.subjectRavel, Piano-concerto, analysisen-US
dc.titleMAURICE RAVEL: KLAVIERKONZERT IN G-DUR (ANALYSE DES ZWEITEN SATZES „ADAGIO ASSAI”)en-US
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typePeer-reviewed Articleen-US
dc.typetexten-US

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